Cartier Fine Watchmaking SIHH 2015 preview…
In the first of a new Heritage series for Cartier Fine Watchmaking, the luxury watchmaking powerhouse will in 2015 unveil this remake of one of its more intriguing historical icons, the Crash. Aside from a larger case sculpted from platinum (mmm, platinum), Cartier has for the first time endowed the Crash with a skeleton movement, built specifically for the case. The design and execution is as impressive as it is distinctive. Let’s take a closer look.
SIHH 2015…first look…
After several years of serious effort taking its watch status from “expensive fashion brand” to “serious watchmaker”, there is no longer a question as to Cartier’s horological ambitions and talents. In 2015, luxury powerhouse Cartier will unveil the latest iteration of its Astrotourbillon, this time in the the Rotonde de Cartier case. The Astrotourbillon was first introduced at SIHH 2011 (in non-skeleton form & “Calibre de Cartier” case) followed by the Astrotourbillon Carbon Crystal in 2012.
No doubt, this is the best Astrotourbillon yet! What an incredible looking watch.
You see the terms referred to regularly here at Perpétuelle: “grand feu”, “champlevé”, and “cloisonné”. And what are they? Enamel techniques, of course! Very often used to create some of the most beautiful watch dials the world has ever seen. But what exactly do these terms mean? How are these enamel techniques different? What distinguishes each of these enamel types from the others? And what about those other rare occasions where we see the art of “flinque”, & “grisaille” — enamel techniques as well — on display. I explore these questions and more in this overview of the art of enamel in watchmaking.
In many articles related to fine watchmaking, it is easy to brush past big, fancy (and typically French) words used to describe watchmaking techniques — enamel-related or otherwise. But given that enamel dials are often the most unique and beautiful of all dials in fine watchmaking, with basically all of the most prestigious haute horlogerie brand producing such pieces (some more frequently than others), the time has never been better to deepen our understanding of what these terms mean.
Because of the organic nature of the material and manner in which it is produced — almost always by the skilled hand of an experienced artisan — I believe that it can be fairly stated that every watch with an enamel dial is a unique piece as well. But for most, the difference between a cloissoné dial (such as that found on a Patek 5131G) and a champlevé dial (as seen on a Vacheron Metiers d’Art) is but another trivial watchmaking detail. This naivete, I confess, was somewhat the case for me as well — at least for a while. But then I became more and more intrigued by the art of enamel and decided to expand my knowledge base, which I share with you now.
This is an article I’ve had in my head for quite some time now, and an admittedly one that only the nerdiest of watch-nerds might appreciate. But I’m glad to have finally finished it and I enjoyed writing it. So follow along as I take you through the finer points of enamel and enameling techniques used in fine watchmaking. And please note — this is not an exhaustive study of the very broad ranging “art of enamel”, but as I say will review the most commonly used techniques fine watchmaking, and a few less commonly used techniques as well.
SIHH 2015 First Look…
From its “Fine Watchmaking” department, Cartier will present in 2015 this new take on its Rotonde de Cartier flying tourbillon watch, this year in white gold featuring a large guilloché finished dial with flying tourbillon and other visible movement components on the dial.